Under the direction of Guru Gobind Singh, his supporter Banda Singh Bahadur goes up against the Mughal armed forces to reestablish peace and equity in Punjab.
You’ve seen different forms of the Ramayana and the Mahabharata; even characters from these sagas have their own particular turn offs on primetime TV. In any case, stories from the Sikh mythology have once in a while been depicted on screen.The Rise of Banda Singh Bahadur is a continuation of 2014’s Chaar Sahibzaade and shifts center from Guru Gobind Singh’s four children, to the pupil who took his legacy forward.
Master Gobind Singh visits sage Madho Das and urges him not to discard his intense feeling of equity and arrow based weaponry aptitudes for an existence of religious austerity.
Madho Das then changes into Khalsa warrior Banda Singh Bahadur. He drives the Sikh armed force into Mughal regions, gradually breaking their fortress over Punjab, and en route, vindicates the demise of Guru Gobind Singh’s family.
Executive Harry Baweja and co-essayist Harman Baweja have picked an inherently intriguing story to tell. Banda Singh’s preparation, his fights with the Mughals, his own particular deficiencies all have the elements for a decent account, which keeps you in your seat notwithstanding when the liveliness makes you blend in it.
What’s more, make you mix, it will. Less than impressive activity simply doesn’t do equity to an account of this scale. It resembles viewing Baahubali through a Chota Bheem channel.
The tunes are a diversion and the principal half can get extremely verbose and is altogether too long. It has all the earmarks of being a correction of the primary Chaar Sahibzaade motion picture, in light of the fact that the narrative of Banda Singh in reality just begins in the second half.
Put basically, on the off chance that you were the child who subtly played book-cricket in history class, you may discover the film repetitive, however in the event that stories of overcome fighters and extraordinary wars energize you, walk on into that theater.